Too Weird to Live, Too Rare to Die! Is the fourth studio album by American rock band Panic! At the Disco. The album was released on October 8. Digital download: October 11, 2013 () CD References. Download Album Too Weird To Live, Too Rare To Die!, 2013 in high mp3 quality. Prelisten tracks before downloading Too Weird To Live, Too Rare To Die!, 2013 by artist: Panic! At The Disco. At The Disco's official audio stream for 'Far Too Young To Die' from the album, Too Weird To Live, Too Rare To Die! - available now on DCD2 Records /. Album Too Weird to Live, Too Rare to Die! Artist Panic! At the Disco. Identifier Panic2000-00-00. At The Disco - Too Weird To Live,Too Rare To Die! Download 10 files. Uplevel BACK.

For a release date of October 8 as an addition a new single ' and music video. On July 18, 2013 a small tour was announced to support the album with opening for them, starting on August 1, 2013, and ending August 22, 2013. It was also announced that they would go on the tour with. In support of the album release, On October 11, 2013, the band played a release show in Las Vegas at the Cosmo Pool. On October 14, 2013, 6 days after the album was released, the band announced a T oo Weird to Live, Too Rare to Die! Tour, starting on January 14, 2014, and ending on February 16, 2014.

Other inspirations for the album were drawn from electronic composers such as, and (composer of the soundtrack of and ). The album's sound has been described as,,,,,,, and. Name origin [ ] The name of the album was lifted from 's novel. It is a reference to the central idea of the album, which was inspired by lead singer, and drummer 's home city of. Lyrics [ ] Urie's lyrical contributions to Too Weird to Live, Too Rare to Die! Were further inspired by the band's city.

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• ^ Collar, Matt.. Retrieved October 10, 2013. • ^ Gamboa, Glenn (October 8, 2013).. Retrieved October 3, 2015.

Retrieved December 20, 2016. Retrieved June 16, 2017. Select albums in the Format field. Select Gold in the Certification field. At the Disco in the search field and then press Enter. If necessary, click Advanced, then click Format, then select Album, then click SEARCH • Caulfield, Keith (January 24, 2016)..

Every record is shipped in original factory-applied shrink wrap and has never been touched by human hands.

Retrieved December 9, 2014. Prometheus Global Media. Retrieved January 16, 2015. Retrieved December 9, 2014. Retrieved December 9, 2014.

• Piet Levy. Retrieved October 4, 2013. Retrieved October 14, 2013. Archived from on 2015-02-13. Retrieved 2015-02-13. October 26, 2013.

Whether it's the of 'Girls/Girls/Boys' or the malevolent pounding of 'Girl That You Love,' never settles too deeply into just one sound. Tracks like 'Nicotine' and 'Collar Full' even retain much of the anthemic rock bombast of the band's early work, despite the underlying dancefloor intimations coming from the rhythm section and synthesizers. Indeed, '80s synths and dance beats are a good fit for 's voice, and though the band sticks closer to its roots than emo class president -- whose own delvings into synthesizer pop nearly reach levels of '90s European techno -- paints an exciting picture of 's genre-bending career trajectory to come.

Retrieved March 31, 2018. Missing or empty title= () • Caulfield, Keith (January 24, 2016). Retrieved March 31, 2018. Retrieved March 31, 2018. Retrieved October 10, 2013. • ^ Allen, Eric (October 4, 2013)..

Retrieved March 31, 2018. Missing or empty title= () •.

Received generally positive reviews from music critics. On, which assigns a normalized rating out of 100 from reviews from critics, the album received a 72 based on 8 reviews. In a positive review, Matt Collar of praised the album's exploration of different genres. In another positive review, Eric Allen of stated that while the album seems to be extremely dissimilar in the first listen, Brendon Urie's personal lyrics thematically tie them all together. In a mixed review, Jordan Blum of wrote that the album felt like a continuation of and came off as obnoxious, generic, and too uninvolving to listen to. Track listing [ ] No.

'I felt this weird energy where everybody was having a good time, and it didn't matter,' he remarked. 'Dancing like nobody's watching. It was kind of beautiful.' The song also uses a sample from 'Number 5', (a song used on in the 1970s) at the beginning of the song. 'Girl That You Love' was originally written in French following a five-day vacation in France. Jung yong-hwa girlfriend.

• (in Dutch). Retrieved September 16, 2014. Retrieved September 16, 2014. Retrieved July 6, 2015. Prometheus Global Media. Retrieved January 16, 2015.

No matter where you meet a stranger, be careful if they are too friendly' taken from the 1961 film. This quote is not present in the official album release. 'The End of All Things' was written about Urie's wife Sarah Urie, and is written as Urie's vows in their wedding. The song was written two days before they got married. Promotion [ ] In August 2012, the band's last tour cycle, it was announced during a show that a new album was in the works.

An eclectic album that showcased Urie's interest in hip-hop and electronic music, it was also the first album to feature Weekes in the studio. After several live shows in 2013, Smith announced he was leaving the band's tour, citing his ongoing substance abuse issues. By 2015, Smith officially announced he had left the band. Around the same time, Weekes' position was once again downgraded to touring member. With Urie at the helm, Panic at the Disco finished out the year by releasing the singles 'Hallelujah,' 'Victorious,' and 'The Emperor's New Clothes.' All of the songs were included on the band's fifth studio album, 2016's Death of a Bachelor, which featured co-production from Urie and longtime engineer Jake Sinclair. The album debuted at number one in the U.S., and was nominated for a Grammy for Best Rock Album.

Indeed, '80s synths and dance beats are a good fit for Urie's voice, and though the band sticks closer to its roots than emo class president Fall Out Boy -- whose own delvings into synthesizer pop nearly reach levels of '90s European techno -- Too Weird to Live, Too Rare to Die! Paints an exciting picture of Panic!

Picking up where they left off on the synth pop and '80s new wave direction of their 2011 album,, return with their fourth studio album, 2013's Still focused around the songwriting duo of lead singer and drummer, also feature bassist, who joined as a full-time member in 2010. Ever since the original lineup of split in half just after the release of their -influenced sophomore album,, and have carried the emo torch, finding new ways to keep their specific brand of high-energy, emotionally overwrought pop relevant to to whatever sound is happening in mainstream pop music. That said, clearly have never been overly interested in pigeonholing themselves into just one genre, and their latest release does nothing to counter the band's reputation as pop mavericks.

There was a lot of hostility, but over the past couple years, I’ve started to get rid of that cynicism and see it in a new light [.] I wanted to celebrate it.' He penned much of the album's lyrics in the city itself: 'There's some glitz, some glamour, but there's also the dingy, old Vegas side to the music.' The record's lyrics are very personal in nature. The first track, 'This is Gospel' (written by Urie and bassist ), talks about Spencer's drug addiction. The original demo sat on Urie's laptop for months before he finally shared it with the rest of the band.

Product Details Vinyl LP pressing including digital download. 2013 release, the fourth solo album from the Las Vegas-based Alt-Rock band. Produced by Butch Walker (Fall Out Boy, Weezer), Too Weird to Live, Too Rare to Die!! Sees the band paying homage to their Las Vegas roots via a glittery sonic approach inspired by their ever- increasing collection of vintage and modern synthesizers. While jam- packed with high- energy songs like 'Vegas Lights' and 'Nicotine,' the album also features Brendon Urie's most open and introspective songwriting to date, with highlights including the tender paean that closes the collection, 'The End of All Things.

' Simultaneously celebratory and cathartic, Too Weird to Live, Too Rare to Die is Panic! At the Disco at their distinctive best -personal, potent, and utterly irresistible. Track List • This Is Gospel (Album Version) • Miss Jackson (feat. Lolo) (Album Version) • Vegas Lights (Album Version) • Girl That You Love (Album Version) • Nicotine (Album Version) • Girls/Girls/Boys (Album Version) • Casual Affair (Album Version) • Far Too Young To Die (Album Version) • Collar Full (Album Version) • The End Of All Things (Album Version) Protection Each record is protected within its record sleeve by a white vellum anti-dust sleeve. Packaging All items are shipped brand-new and unopened in original packaging.

• (in French). Retrieved September 16, 2014. • ' (in Finnish). Retrieved September 16, 2014. • (in German). Retrieved September 16, 2014.

At The Disco's music video for 'Girls/Girls/Boys' at Download the album, Too Weird To Live, Too Rare To Die!, featuring Girls/Girls/Boys, This Is Gospel and Miss Jackson ft. LOLO now on iTunes: LYRICS I never so adored you I'm twisting allegories now I want to complicate you Don't let me do this to myself I'm chasing roller coasters Ive got to have you closer now endless romantic stories You never could control me Well I never really thought that you'd come tonight When the crown hangs heavy on either side Give me one last kiss while we're far too young to die.

• Lucy, Evan. Retrieved 12 October 2013.

A concert LP, All My Friends, We're Glorious: Death of a Bachelor Tour Live, followed in 2018. ~ Corey Apar.

Retrieved September 14, 2015. • James Montgomery (July 16, 2013).

Tracks like 'Nicotine' and 'Collar Full' even retain much of the anthemic rock bombast of the band's early work, despite the underlying dancefloor intimations coming from the rhythm section and synthesizers. Indeed, '80s synths and dance beats are a good fit for Urie's voice, and though the band sticks closer to its roots than emo class president Fall Out Boy -- whose own delvings into synthesizer pop nearly reach levels of '90s European techno -- Too Weird to Live, Too Rare to Die! Paints an exciting picture of Panic! At the Disco's genre-bending career trajectory to come.

• Atari (5 October 2013).. • Slater, Tom (October 4, 2013).. Archived from on October 7, 2013. Retrieved June 26, 2018. Retrieved September 16, 2014. • (in German). Retrieved September 16, 2014.

Regarding the decision to feature a photograph of himself on the cover, Urie noted, 'I love being the center of attention, I'm shameless about it. And being the, everyone thought it made sense, for me to be front and center. It felt right, since I was so close to these songs.' In another interview, Urie said '[the album] really was just about times I had growing up in Vegas.