Roland Jc 50 Serial Number
It also found favour amongst players in America. It also became popular to use for clean tones in heavy metal, with the most famous users being and from, and from.
Roland jc-50 breaking up early Discussion in 'Amps. I got a JC-50 off of e-bay the other day expecting it to be a lean mean surf. The amp's serial number is. Roland JX-8P Roland MKS-50 Yamaha RX7 M Audio Oxygen 49 AV Linux. Re: Boss & Roland serial number decoder. By Instrument Panel » Fri Nov 11, 2011 5:45 pm. Dec 19, 2009 Seems odd for a 'Jazz' amp, and not like I remember a JC-120 sounding. When cranked, it's completely distorted, and the bass is super flabby. The amp's serial number is 760806, which I'm guessing dates it to 1976, but I could be wrong. May 27, 2016 But it sounds as nice that I sold my JC-55, which till then served as my travelling JC. If you can live with the lack of lows and the missing reverb - which I definitely can with my acoustics - the JC-20 is as fine as any stereo JC can be.
• RD155L Revo. • SB-series 200 bass amp (200W).
GUITAR SYNTHS • GR500 & GS500 guitar-synth system. PIANOS • MP700.
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• TW1 wah pedal. EFFECTS • DC20 analogue echo.
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The following year was to see a number of product launches that — with Roland's distribution network in place — would cement their position in the marketplace. Least amongst these were the AW10 wah pedal, the more advanced AD50 Double Beat (which, by virtue of combining wah, fuzz and a simple phaser, was possibly the ancestor of all today's multi-effects pedals), and the AG5 'Funny Cat' auto-wah. Then there were the EP10 and EP20, Japan's first fully electronic pianos. These proved to be sturdy and reliable, but in common with other electronic pianos of the 1970s, they sounded truly horrid. They were no competition for the Fender Rhodes and Wurlitzer pianos that dominated the era so, despite their places in history, they are probably best forgotten.
These were 'Program Rhythm' and the WS1 Write Switch, which made the little box the first drum machine that allowed you to devise, store, and replay user-programmed patterns. For three years, the CR78 remained almost unknown, but in 1981, Phil Collins released 'In The Air Tonight', and the little Roland instantly became an essential part of almost everyone's musical vocabulary. Indeed, its limited capabilities have stood the test of time, and the CR78 is still used on all manner of recordings, primarily in ambient music and other forms of electronica. Many surviving units are now equipped with MIDI retrofits, but the provision of an early 12ppqn (48 counts per measure) external clock input means that you needn't hack the case of your vintage treasure if you don't want to.
It looks like a toy, and I admit I thought it really was when I found it in mint condition in some online market for a ridiculously low price. But it sounds as nice that I sold my JC-55, which till then served as my travelling JC.
• RE100 tape echo. • RE200 tape echo. PIANOS • EP10.
Ace Electronic were on their way. The relationship between Hammond International (the worldwide distributor of the organs built by the Hammond Organ Company) and Ace was a good one and, soon after they embarked upon their technical collaboration, Ace became the Japanese importer and distributor for Hammond organs. The following year (1968) the companies formed a joint venture called Hammond International Japan, and in 1969 Kakehashi raised the capital to take over a derelict piano and organ manufacturer, Zenon Gakki Seizou, in Hamamatsu. This factory was soon to become a major source of Hammond organs and, of course, the sole source of Ace Tone organs. By this time, Kakehashi and his team were heavily involved in designing new guitar amplifiers and effects units as well as rhythm machines, but it is perhaps for their combo organs that Ace are best remembered. These included the TOP3 (1965), the TOP1 (1969), TOP5, TOP6, TOP7, TOP8, and TOP9, plus the more complex, dual-manual GT7.
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But with the launch of the Roland VK9 and VK6, it was clear that he felt that the market for a Hammond-style organ still existed. The VK9 was the flagship of the pair, and was modelled on Hammond's B3. With a pair of five-octave keyboards, four sets of drawbars that you could access from either manual, electronic chorus/vibrato effects, percussion, a 25-note pedalboard, an optional stand and an optional bench, it also offered a number of innovations such as a 62/5' drawbar in the first group, and a 'Bright' 8' drawbar for the pedals.
• OD1 overdrive. • PH1 phaser. • SP1 spectrum. EFFECTS • DC10 analogue echo. • RE301 chorus echo.
In 1959, he designed and built a Hawaiian Guitar Amplifier, but he also persevered with his organ developments, and, in 1960 — the year in which he founded Ace Electronic Industries — he designed an organ that was to become the Technics SX601. Sure, his contact with Matsushita (who owned the Technics brand name) came courtesy of a friend of a friend, and it was unlikely that Ace could have raised the capital to manufacture and distribute the instrument, so Kakehashi must have leapt at the chance. Nonetheless, the birth of the SX601 was no small achievement, and Ace Electronic were up and running as a manufacturer of musical equipment. Three years later, in 1963, the company added guitar amplifiers to its product range, but Kakehashi's ambitions lay elsewhere. Ace Electronics' first commercial product, the unsuccessful R1 Rhythm Ace. Like Tsutomu Katoh, the man who founded Korg in 1963, and whose life has in some ways paralleled his own, Kakehashi was intrigued by early electro-mechanical percussion instruments such as the Wurlitzer Sideman.
Kakehashi understood that electronic music products needed to be affordable and reliable as well as creative. So he designed his synthesizer to use fewer op-amps than other synths, and this enabled him to reduce the cost considerably. The yen/dollar exchange rate then made it possible for Roland to sell the SH1000 for around US$800, which was a fraction of the price of Moog and ARP synths. Secondly, the SH1000 was well built, and it exuded reliability. At the time of writing, mine is almost 30 years old, but looks as good as it did the day it was built, and still performs faultlessly. All of the knobs and slider heads are present and correct, without a single crackly pot to indicate the instrument's age. It has never needed tuning or servicing either.
• The Roland brand is used on a wide range of products including synthesizers, digital pianos, electronic drum systems, dance/DJ gear,, amplifiers, and recording products. • is a brand used for products geared toward guitar players and is used for guitar pedals, effects units, rhythm and accompaniment machines, guitar amplifiers, and portable recording equipment. • Edirol was a line of professional video-editing and video-presentation systems, as well as portable. Edirol also had Desktop Media (DTM) products, more production-oriented, and included computer audio interfaces, mixers, and speakers. Following Roland's purchase of a controlling interest in, most of the division's products were rebranded as Cakewalk products or blended with the professional audio/RSS products to form Roland Systems Group. • Roland Systems Group is a line of professional commercial audio and video products. • was founded in 1958 as an organ company and survives today as a subsidiary of Roland, still manufacturing high-quality electric, electronic, and pipe organs.
Gameloft online games. Having done so, they were able to release the FR1 Rhythm Ace, which appeared in 1967 (see the above box). The positive response was immediate, and the FR1 was adopted by the Hammond Organ Company for incorporation within its latest line of organs.
• VG-99: Successor to the VG-8 and VG-88. Guitar synth with GK 13-pin input, multiple channels and innovative hands free controls that models a huge number of guitars, amps, speakers and effects. 2008 • Fantom-G: Music workstation with onboard graphical MIDI sequencer. • Juno Stage & Juno-Di: Entry-level workstations based on the Fantom-G and the successors of the Juno-G 2009 • Keytar: A, successor for the. The most notable change is the addition of an internal synthesizer. • AT-900 Organ: the AT-900, AT-800 and AT-900C, the next generation of Atelier organ consoles, successors to the AT-90S and AT-90SL.
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Using his considerable reputation as collateral, Kakehashi managed to persuade parts suppliers to offer 90-day payment terms, and then aimed for the unbelievable target of designing, manufacturing, and exporting a rhythm unit before the bills fell due. The decision to export was not as strange as it may seem. The dominance of Yamaha and Kawai in Japan's music markets made it impossible for Roland to compete if the new company launched an established type of product, and it was unlikely that an innovative product could make an impact in time for Roland to earn enough cash to survive.
SYNTHS & HI-TECH • SH2000 preset monosynth. • SH3A monosynth. Not everything was plain sailing, and it appears that Kakehashi infringed one of Bob Moog's filter patents when he designed the SH3. So a new version appeared in 1974. Externally, the SH3A was almost identical to the SH3, but it sported a new VCF and VCA, and it was this model that Vangelis and a handful of other famous keyboard players adopted in the mid-1970s.
Roland E09 keyboard Roland Corporation ( ローランド株式会社, Rōrando ) is a Japanese manufacturer of, electronic equipment and. It was founded by in on April 18, 1972. In 2005, Roland's headquarters relocated to in. It has factories in Taiwan,, and the USA.
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Furthermore, the RS101 offered individual VCAs and envelopes for each note, so it could articulate sounds correctly. This was a huge improvement over the market leader, the ARP/Eminent Solina.
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But at the time, its 'Japanese' sound proved to be more of a disincentive than the appeal of its dual oscillators, PWM, sync, ring modulator, multi-mode low-pass/band-pass/high-pass filter, second band-pass filter, multiple routing, dual envelopes and extensive CVs and Gates. That it sold in moderate quantities has added to its collectability, and the fact that it is undoubtedly the prettiest of Roland's early synths only helps in this regard. Next, there were the effects units. Foremost among these were a couple of superb phasers: the AP2 Phase II, and its more advanced sibling, the AP7 Jet Phaser, which offered four 'Jet' modes alongside two conventional phasing modes. These were complemented by another fuzz box, the AF60 Bee Gee.
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The RS202 string ensemble made good on the failure of the RS101, using Roland's rich chorus to fine effect. That year's new products didn't disappoint either.
I doubt that anybody reading this remembers the product in question, and it would now be of no interest but for one thing: Kakehashi's new brand name was Boss, and when the Boss B100 guitar preamp was released, another legend was born. Unlike the chorus effects in the JC amps and the later Boss CE1, Roland's early keyboard ensemble effects used either three or four delay lines (depending upon model) based on a 512-stage BBD (bucket-brigade device) chip called the MN3002.
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Ikutaro Kakehashi, founder of Roland, at the 1964 NAMM show with the Ace Electronics R1 and Canary. The Roland name is almost synonymous with music technology — there can't be an SOS reader who hasn't made use of their instruments at some time. As founder Ikutaro Kakehashi approaches his 75th birthday, we begin a journey through the company's extraordinary history. I think that it was one of the staff who wrote for Roland's in-house magazine in the 1980s who first posed the question, 'What have the Rolands ever done for us?'
• AP7 Jet Phaser. RHYTHM MACHINES • TR66 Rhythm Arranger. SYNTHS & HI-TECH • RS101 string ensemble. • SH5 monosynth. The following year saw Roland push further into all manner of music markets, and marked the company's first appearance at the Frankfurt Musikmesse. Many of the new products shown were destined to be significant, although it was not always obvious at the time.
In many ways, it's a dead ringer for the RE101, with the same three-channel input configuration and prominent VU meter. Sure, the Ace's controls are different, with buttons rather than the rotary knobs of the Space Echoes, but the family resemblance is unmistakable. 1974 MAJOR PRODUCT LAUNCHES BOSS PRODUCTS • B100 preamp. EFFECTS • AP5 Phase 5. • RE101 Space Echo. • RE201 Space Echo. PIANOS • EP30 touch-sensitive electronic piano.
After a few more experiments with Roland-style effects units such as the BF1 Flanger, this was the year that Boss launched their classic Boss stomp-box format, as shown above in the picture of the OD1 released that year. It's a huge testament to the design that, nearly 30 years later, the same metal chassis, rubber foot, recessed knobs and FET switching are to be found on the huge range of Boss pedals now in production. The forerunner of all the great Roland drum machines, the CR78.
Roland Jc-50 Reviews
At just £1800, it was much cheaper than its competitors, and appealed greatly to those for whom Prophet 5s and OBXs were simply unaffordable. The Compuphonic partner to the Jupiter 4, the MRS2 Promars. If the reputation of the Jupiter 4 has improved over the years, that of its Compuphonic partner, the MRS2 'Promars' monosynth, has not. In part this may be because its two oscillators were not truly independent, or because the slightly squelchy VCF and VCA retained an archetypically Roland — ie. Clean and precise — character, and in 1978 most players were still wedded to the fatter sounds of Moogs and ARPs.
Roland Jc 50 Guitar Amp
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