Anyone using one of the Vintage Modern amps by Marshall? I'd been playing my 2266 through an Avatar 2x12 with one Vintage 30 and one. (Chicago Manual of. View and Download Marshall Amplification Vintage Modern 2466 brochure & specs online. Marshall Amplification Valve Amplifier Brochure. Vintage Modern 2466 Musical Instrument Amplifier pdf manual download.

Here's my observations. Although both are called 50w, the VM2266 is not nearly as loud as the 80's JCM800. I learned that's because, in the 1980's, Marshall rated the output as 50W before clipping, whereas now they rate it as max output. So you can play the VM with distortion at a much lower volume, which to me is a good thing. The VM has two preamp gain knobs--Detail and Body. Detail is gain for highs and high-mids, Body is gain for Lows and low-mids. It takes some time to figure out.

I bought a 2007 2266 head (50w) on ebay 2 months ago. I've played it through my Marshall 1960B 4x12 with Vintage 30's, and my Avatar 2x12 with one V30 and one G12H30. I also have a 1989 Marshall JCM800 2204 50W head. Here's my observations. Although both are called 50w, the VM2266 is not nearly as loud as the 80's JCM800. I learned that's because, in the 1980's, Marshall rated the output as 50W before clipping, whereas now they rate it as max output. So you can play the VM with distortion at a much lower volume, which to me is a good thing.

I think it is not too suited for the mtal, trash and whatnot like that, albeit with pedals. I use it with a Stratocaster and a Gibson 1 / 2 box. The clean sounds are really beautiful and you can even have them playing hard. The rhythms are funky with Stratocaster pchues, although striking the casseroles, the Red Hot arpges the clean sound is beautiful. The sounds are great for crunchy blues and jazz solos.

I will say that KT66's are the coolest looking tubes I've ever seen. Big, curvy and sexy. Hope this helps. This has been killing me for a year or four, if you mean that something is, 'more than' or 'beyond' or 'excessive' it is spelled 'too' and not 'to'.

And effects unit should be set to the same level.

I suggest you also read it is instructive trs. And indeed, once we understand the interaction between the two gain knobs, you realize the opportunities that sound research standards to our door! SOUNDS I use it to play rock, blues and jazz. For this kind of music it is perfect.

That is what came in my 2466 combo. I don't care for V30's in anything.

Here is a forum dedicated to the VM: Of course, almost everyone over there loves the VM.

I tried Shugang, Gold Lion and Penta. Marshall uses and recommends Shugang, but I found the Penta's were the brightest and most responsive (Pentas are made in the Shugang factory but to different specs). I will say that KT66's are the coolest looking tubes I've ever seen. Big, curvy and sexy.

It just wasn't for me I guess. OVERALL OPINION At new these amps come in at around $1599. That is about the right price for this amp. It has a decent tone but nothing really special to my ears. I would much rather go for a Splawn Streetrod or a Budda over this amp any day of the week.

• It is made for Greenbacks, love it with them. Not much to like about it with V30s. • Make sure you test it with broken in speakers.

It also cleans up nice in HDR. Here it is with the same settings only I have my guitar set in the split coil neck position with the volume rolled down to start. Then I switch to the bridge and roll the volume up. Again, no pedals. I bought a 2007 2266 head (50w) on ebay 2 months ago. I've played it through my Marshall 1960B 4x12 with Vintage 30's, and my Avatar 2x12 with one V30 and one G12H30.

So you can play the VM with distortion at a much lower volume, which to me is a good thing. The VM has two preamp gain knobs--Detail and Body.

A true affinity with your instrument will develop once you have familiarised yourself with the ideal ‘sweet spot’ settings that suit your own personal style. Modern features included on this amp are the now standard Master Volume; a foot switchable high quality Reverb and a -10/+4dB Series Effects Loop which can be completely bypassed if not required. A brand new feature are the two frequency selective Preamp Volumes (gains) which work in tandem to provide greater flexibility over tonal shaping of your instrument. The power amp plays a significant role in contributing to the overall sound and incorporates KT66 valves for true vintage tone. These are complimented by the newly developed Celestion G12C greenback speakers which deliver that smooth, balanced, harmonically rich timbre sought after by numerous connoisseurs of benchmark Marshall Tones. ENGLISH ENGLISH Dr Jim Marshall OBE and daughter Victoria (Managing Director).

ENGLISH ENGLISH Dr Jim Marshall OBE and daughter Victoria (Managing Director).

If you get a chance to try it start with all tone controls at 5 and adjust to taste. Keep the 'Detail' control 2-3 clicks over the 'Body' control. Too much Detail and the amp with sound bright and fizzy, too much Body and it can get muddy. Think of these controls as if they are the high and low volume controls on a jumpered 4-holer.that's the idea behind them. The Mid boost switch works best with single pole equiped guitars.

I've been playing a VM for about a year now and have own(ed) both the 2266 and 2466. My favorite Marshall I've owned and currently in production.If you're looking for a no frills, rock machine, DO IT. To me the amp feels smoother because of the KT66's. What I like most about this amp is that it is crazy responsive to picking dynamics. The High gain mode is perfect to me, with none of the fizziness I got from my DSL. The VM is deceptive because even though there is just a single channel, you can shape the gain drastically with the Detail and Body.lots and lots of tones available. What I like about the VMs (can be a con to some people) is that you can push them harder because to me they aren't as loud as other Marshalls.I remember reading from the designer that the 100 only puts out 100 at full bore, and around 75 the rest of the time, and around 35 watts with the 50.

• Make sure you test it with broken in speakers. First time I tried it in a store it sounded awful. Next time I tried it with broken in speakers it was glorious. • Try it in LDR with a good distortion pedal. Click to expand.I agree. Greenbacks sound good with the VM.

Coupled with the matching cabinet’s four 12' Celestion G12Cs (the same speakers found in Marshall’s recent Super 100JH Limited Edition Jimi Hendrix reissue stack), these tubes have a charming sag—a natural compression—that makes overdriven guitar parts sit nicely in the mix. Set the Vintage Modern’s Dynamic Range switch to High, crank the Master and preamp knobs, and the amp foams over with heaps of organic distortion and musical feedback—all at fairly sane volume levels. It’s thrilling to conjure this Hendrix-like response without turning people’s skulls to pulp. (For a bump in power—and for an extra $200 retail—consider the 100-watt Vintage Modern head.

The characteristics for, see the reviews previous ones. The only particularity is that mine is black and not purple.

('Body' and 'detail': the rule in some ways the grave, roundness, and treble lights the pramp) With 2 switch 'mid boost' and 'dynamic range low / high.' A button makes prsence trs good job knowing to be discreet if you do not put excessive. Teori litar. BIG plus point: the volume knob is very gradual, unlike the fender with his super strength 0.001 is direct on the volume knob. SOUNDS The sound is just crystal clear, excellent, there is good seed!

This has been killing me for a year or four, if you mean that something is, 'more than' or 'beyond' or 'excessive' it is spelled 'too' and not 'to'. F'ing Christ. I have no problem if English is not your first language but the number of F'ing retarded, white-trash, North American, morons writing that something is 'to' expensive or 'to' problematic or 'to' unreliable (especially because it is made in China) has pushed me over the edge.

I also have a 1989 Marshall JCM800 2204 50W head. Here's my observations.

If you get a chance to try it start with all tone controls at 5 and adjust to taste. Keep the 'Detail' control 2-3 clicks over the 'Body' control. Too much Detail and the amp with sound bright and fizzy, too much Body and it can get muddy. Think of these controls as if they are the high and low volume controls on a jumpered 4-holer.that's the idea behind them. Free otome romance game download english pc.

It's badly made, Sounds ordinary through and through. The reverb is ****************e, I have had good recordings from it, but if you have nigh on any other amp in the room, it will make the VM sound very very dull, bland, ordinary etc etc I don't have a lot of good things to say about it as there aren't a great deal of good things to say.

The output tubes on the VM are KT66, which were used in the 60's Marshall's. They have a different sound than the EL34's that Marshall is known for.

When you play a note on the 800, it's THERE. The response is immediate. With the VM, there's a delay. And the sound of the VM is more compressed.

They have a different sound than the EL34's that Marshall is known for. I tried Shugang, Gold Lion and Penta.

Do not dime the tone controls as with some other Marshalls. • It is made for Greenbacks, love it with them. Not much to like about it with V30s. • Make sure you test it with broken in speakers. First time I tried it in a store it sounded awful. Next time I tried it with broken in speakers it was glorious. • Try it in LDR with a good distortion pedal.